Wednesday, July 26, 2023

street life 1

20-21st c. art structured around journeys along American roads/rail lines

"Chair Car," Edward Hopper (1960)
Films 

United States of America by James Benning (1975)

No sex last night by Sophie Calle (1996)

The Brown Bunny by Vincent Gallo (2003)


Documentaries 

Park Avenue: Money, Power, and the American Dream (2012)


Oral histories

American Journey: The Times of Robert Kennedy by Jean Stein (1970)

Division Street: America by Studs Terkel (1967)


Newsletter

Pedestrian by Alex Wolfe (2019-present) 


Photography

Paul Fusco's photographs from RFK's funeral train for LOOK magazine (1968)



***************************************

"New York Corner (Corner Saloon),"
Edward Hopper (1913)
In L. Rust Hills’ [former fiction editor at 
Esquire] book about writing fiction he quotes another editor who said the ideal structure for a short story is just somebody walking down Fifth Avenue. Anything can happen while you’re walking down Fifth Avenue. You get a call from your ex-wife, you see a guy get killed, but you’re still always walking down Fifth Avenue; from 50th to 45th. There’s that kind of thing moving it through. Short fiction is always a very simple movement. It’s usually just one movement. And that’s what I like about it. In a longer story you might take a turn into the Diamond District or something. But in a short fiction, it’s just walking down Fifth Avenue.

- Patrick in Interview [x]

talk & talk & talk & talk

why hello. it's a wednesday evening, and i'm in an effervescent state ; revived, in the wake of a malaise. i've discovered edie: american girl and am so taken with it ~ i feel all lit up. i'm thinking of how enamored i am with human speech - this book, an oral history compiled by jean stein, has reminded me of that. i helped edit an oral history last year (the 8ball almanac), and i've always been drawn to the form. i've read working by studs terkel and gig, a working redux of the 21st c. compiled by the editors of word.com, and i've owned a few of studs' other books as well - i picked up division street: america at a used book store in chicago, where the book is set, and an ex-boyfriend gave me coming of age as a gift. i'd wanted to read west of eden, jean stein's final oral history, when i was studying los angeles' history when i lived there. i also may pick up at some point meet me in the bathroom, about the 2000s indie music scene in new york, which maggie rogers helped transcribe. & also ~ eve just got me talk for my birthday.

but i'd never heard of edie until last night, after reading in megan nolan's perfectly imperfect entry her recommendation of a book called nothing special, a fictionalized account of a typist who transcribed andy warhol's a. some clicking around led to edie, & it all sent me into a reverie, thinking about transcription & the voice & the act of expression ~ so physical, so gathering-up of all that a person is & all they have been. that's what edie is ~ a gathering-up ~ essentially a gathering-up of america. thru all these individual voices. e pluribus unum. speech is the transcription of thought. conversation & dancing & music & poetry are the transcription of vibes. & vibes & thoughts? come from God. channel, then transcribe. 

when we speak we invent ; we can talk ourselves into new worlds, build new worlds thru speech. this is the language thing again. metaphors we live by & lori from kgb speaking of the phrase i do as alchemical. any phrase can be an alchemical phrase if you know how to talk. i've always loved speech, & art that comes from speech, because i think speech ~ angled to catch the light ~ is art ; transformative & shimmering, created, aesthetically just-right. it's why women speak softly & there's a musicality to our voices. it's why rhythm in speech is felt & matters. it's why when you create a new world thru speech & conversation & then transcribe it, thru a potent ‘life-art collab’ like autofiction, like the art that was coming from the factory, like an oral history ~ to me, that's a complete circle that starts & ends with God.